Not sure where to start with upcoming June book releases? These are a few we’re most excited about here at Booksweet!
Heather Recommends
Kill Creatures by Rory PowerOut June 3
One of my favorite things about Rory Power is the way she writes female friendships and the complicated ways they ebb and flow. Throw that together with an amnesia trope, an unreliable narrator, and a small town thriller and you have a recipe for a five star book for me! – Heather
Last year, Nan’s three best friends ventured into the canyons near their small town and never returned. Now one of them is back, and Nan can’t believe it…because she’s the one who killed them. From the New York Times bestselling author of Wilder Girls comes another dark thriller about friendship, jealousy, desire, and revenge, with a twist ending that needs to be talked about.
Last summer, Luce, Edie, Jane, and Nan took a boat out for one final swim in the river. It was a perfect summer night.
But the only one who returned that night was Nan. Edie, Jane, and Luce disappeared, and Nan’s story has always been the same: She has no idea what happened. The girls went ahead, and it was as though they vanished into thin air.
Now, one year later, all of Saltcedar has gathered at the river for a memorial. Nan even recreated the outfit she wore that fateful day last summer. And when Luce climbs out of the water, no one is more surprised than Nan.
Because Nan killed her. Right before she killed Edie and Jane.
Of Monsters and Mainframes by Barbara Truelove
Out June 3
If I’m being completely honest I added this book to my TBR before I even read the synopsis because of the cover alone, but I’m so glad I did. This book is like Murderbot and all of the monsters in the public domain got together and decided to try to “out-silly” each other whilst hurtling through space and they find surprisingly tender connections along the way. If you like books by Becky Chambers or Travis Baldree, I think you will enjoy this one too! – Heather
Spaceships aren’t programmed to seek revenge—but for Dracula, Demeter will make an exception.
Demeter just wants to do her job: shuttling humans between Earth and Alpha Centauri. Unfortunately, her passengers keep dying—and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans.
To keep from getting decommissioned, Demeter must join forces with her own team of monsters: A werewolf. An engineer built from the dead. A pharaoh with otherworldly powers. A vampire with a grudge. A fleet of cheerful spider drones. Together, this motley crew will face down the ultimate evil—Dracula.
The queer love child of pulp horror and classic sci-fi, Of Monsters and Mainframes is a dazzling, heartfelt odyssey that probes what it means to be one of society’s monsters—and explores the many types of friendship that make us human.
Bella Recommends
Sounds Like Love by Ashley Poston
Out June 17, 2025
Ashley Poston writes romance plus magical realism like no other. Last summer I devoured The Seven Year Slip by Poston in one beautiful beach weekend and absolutely fell in love with her writing style, so I’ve been eagerly waiting for another magical realism romance to hit the spot, and Sounds Like Love absolutely does. Pick this one up if you love musicians, if you know the struggle of creative burnout, or if you have a favorite dive bar music venue that holds a soft spot in your heart (just trust me). – Bella
A hitmaking songwriter and a bitter musician share a startling and inexplicable connection that they’ll do anything to shake, in the next sparkling, magical book from the New York Times bestselling author of The Seven Year Slip and A Novel Love Story.
Named a Most Anticipated book of Summer 2025 by The New York Times ∙ People ∙ Marie Claire ∙ E! News ∙ Brit + Co ∙ Yahoo! Life ∙ She Reads ∙ and more!
Joni Lark has a secret. She’s one of the most coveted songwriters in LA, and yet she can’t write. There’s an emptiness inside her, and nothing seems to fill it.
When she returns to her hometown of Vienna Shores, North Carolina, she hopes that the sand, the surf, and the concerts at The Revelry, her family’s music venue, will spark inspiration. But when Joni gets there, nothing is how she left it. Her best friend is hiding something, her mother’s memories are fading fast, and The Revelry is closing.
How can Joni write when her world is leaving her behind?
Until she hears it. A melody in her head, lyric-less and half-formed, and an alluring and addictive voice to go with it—belonging, apparently, to a wry musician with an emptiness of his own.
Surely, he’s a figment of Joni’s overworked imagination.
Then a very real man shows up in Vienna Shores. He’s arrogant and guarded—nothing like the sweet, funny voice in Joni’s head—and he has a plan for breaking their inconvenient telepathic connection: finish the song haunting them both and hope they don’t risk their hearts—or their secrets—in the process.
Because that melody, the one drawing them together . . . what if it’s there for a reason?
Darcy Recommends
A Forgery of Fate by Elizabeth Lim
Out June 3
A breathtaking romantic fantasy inspired by Beauty and the Beast about a girl who paints the future and a cursed dragon lord, bound by love and deception in a plot to bring down the gods.
From the New York Times bestselling author of Six Crimson Cranes!
“Everything I love in a story—danger, complex characters, romance, betrayal and gorgeous writing.” —Mary E. Pearson, New York Times bestselling author of Dance of Thieves
Truyan Saigas didn’t choose to become a con artist, but after her father is lost at sea, it’s up to her to support her mother and two younger sisters. A gifted art forger, Tru has the unique ability to paint the future, but even such magic is not enough to put her family back together again, or stave off the gangsters demanding payment in blood for her mother’s gambling debts.
Left with few options, Tru agrees to a marriage contract with a mysterious dragon lord. He offers a fresh start for her mother and sisters and elusive answers about her father’s disappearance, but in exchange, she must join him in his desolate undersea palace. And she must assist him in a plot to infiltrate the tyrannical Dragon King’s inner circle, painting a future so treasonous, it could upend both the mortal and immortal realms. . . .
Casey Recommends
Burning Down the House by Jonathan Gould
Out June 17
“A masterful achievement.” —Booklist (starred review)
On the 50th anniversary of Talking Heads, acclaimed music biographer Jonathan Gould presents the long-overdue, definitive story of this singular band, capturing the gritty energy of 1970s New York City and showing how a group of art students brought fringe culture to rock’s mainstream, forever changing the look and sound of popular music.
“Psycho Killer.” “Take Me to the River.” “Road to Nowhere.” Few musical artists have had the lasting impact and relevance of Talking Heads. One of the foundational bands of New York’s downtown 1970s music scene, Talking Heads have endured as a musical and cultural force for decades. Their unique brand of transcendent, experimental rock remains a lingering influence on popular music—despite their having disbanded over thirty years ago.
Now New Yorker contributor Jonathan Gould offers an authoritative, deeply researched account of a band whose sound, fame, and legacy forever connected rock music to the cultural avant-garde. From their art school origins to the enigmatic charisma of David Byrne and the internal tensions that ultimately broke them apart, Gould tells the story of a group that emerged when rock music was still young and went on to redefine the prevailing expectations of how a band could sound, look, and act. At a time when guitar solos, lead-singer swagger, and sweaty stadium tours reigned supreme, Talking Heads were precocious, awkward, quirky, and utterly distinctive when they first appeared on the ragged stages of the East Village. Yet they would soon mature into one of the most accomplished and uncompromising recording and performing acts of their era.
More than just a biography of a band, Gould masterfully captures the singular time and place that incubated and nurtured this original music: downtown New York in the 1970s, that much romanticized, little understood milieu where art, music, and commerce collided in the urban dystopia of Lower Manhattan. What emerges is an expansive portrait of a unique cultural moment and an iconoclastic band that shifted the paradigm of popular music by burning down the house of mainstream rock.